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The Studio - Phase 6

Almost Done
aka the Doors of Freedom, the Foam of Enlightenment

At this point, the rooms are essentially finished. There are now doors between the rooms, but not just any doors. These doors are 5" thick and packed with special noise stopping insulation, so that the Lovely Joy doesn't get tired of hearing the thump and whack and sturm and drang from our constant sound recording activities below.
We have also been discussing a name for the studio, and as of now, the frontrunner is
"The Machine Shop"
(Because we're The Valves, get it?) What do you think? Any ideas?

 
The main entrance to the studio is through these double doors. They are double so we can still move our various junk in and out. If you look closely at the door on the right, you will see how thick it is. This is to prevent sound from getting out and radiation from the coming nuclear holocaust from getting in. Rosie and the Still are going to be moved outside of the main room.
 
And here we see the equally thick door going into the drum room (or studio B). Some of you have asked what the purpose of the drum room is. Essentially it's a room with a built in natural echo. It's a very short echo to be sure, but it will be good for recording certain types of sounds. Drums are the most obvious, but it will be used for other things as well.
Actually, I'm not sure if anyone has ever asked me about the drum room. It's possible I imagined it while in a sleep deprived semi-coma at work.
In any case, when the door is closed, it forms a fairly tight seal, but one hopes there will be enough ventilation that no one will suffocate while mid-tune in the future.
The ceiling in the drum room is different from the rest of the studio. In order to try to make the room as reflective as possible the ceiling is actually made of wood similar to the walls. The silver thing on the right is the microwave transducer, so that when the studio is not in use, it can be instead used to heat meals. Don't turn it on while anyone is in there though, Ouch!!
This is the control room, looking from where the big window is. Once the lighting is installed, the ceiling will be buttoned up and work on the console can begin (see Phase 5). The exact placement of the console has not been decided, but the most likely spot will be parallel to the wall on the right, set back several feet to allow space for the monitors and to access the back of the board. We will have two sets of monitors, the Mackie HR824s seen in previous installments and a pair of Polk Audio SDA-1As that we haven't picked up yet.
Looking from the control room into the drum room. The white box on the chair contains the lighting that will be going in the control room, possibly even as I write this. The box built into the wall is for the controls to the microwave drum room. Just imagine the popcorn!!
Another shot from inside the drum room, this time looking out in the direction of the main studio through the super duper thick door. Once again you can see the wood ceiling and the heating element for broiling an entire thanksgiving dinner in seconds.
The main studio is a combination of hard wood, regular walls and acoustic foam. Here we see the wall opposite the main studio window, done in a stylish and trendy "Barney the Dinosaur" purple. We also thought that perhaps Prince could be persuaded to come here and record when everything's up and running. I see one of Mike's fans has already paid a visit.
The look of the foam is a bit hard to see from a distance, but this is what it looks like from up close. It's supposedly designed to absorb and diffuse sound, but I think it's done this way primarily to absorb more money and diffuse it to the foam company's owner's boat payments. I hope no one ever trips and falls into it, you could put your eye out with that.

That's it for this week. By this time next week, the lighting should be installed and electricity will be surging through all the little blue boxes. Work may even begin on the console. See you then
 

Photos Copyright ©2005 Joe Miglionico - Toyrobotgraphics.com